Authors consider own backgrounds in portrayals of refugee and immigrant experiences
“…In the early 1990s, writer Viet Thanh Nguyen read a book about the Mexican-American border he found timely: “Across the Wire: Life and Hard Times on the Mexican Border,” by Luís Alberto Urrea. Twenty years later, the two authors will join forces to discuss refugees and immigrants.
The two hail from drastically different cultural backgrounds – Nguyen is a refugee from Vietnam while Urrea, who grew up in Tijuana, has an American mother and Mexican father. Their conversation Thursday in Royce Hall will detail both their personal histories and the influences behind their writing. They are both known for writing about these topics, from Urrea’s “Into the Beautiful North” and Nguyen’s “The Sympathizer;” they also know each other, as they first met when they were finalists for the 2016 PEN/Faulkner Award for Fiction. Their desire to humanize the immigrant and refugee experiences grounds both writers, though the contrasting pathways that preceded their works lead to different writing styles, Urrea said.
“We both have a serious intent and we are always representing (immigrants and refugees),” Urrea said. “It’s important for us to make a stand for our people, particularly in this environment now.”
Urrea saw the arts as a way of understanding where he fit in. His background made him feel isolated at times from both Latinos and Americans, he said, so he pursued poetry, songwriting, drawing and theater. During his senior year of college, his father died violently in Mexico. Urrea didn’t have any way to process it other than writing about it, he said. His bilingual skills and firsthand understanding of the American-Mexican border gave him an opportunity to share new stories of immigrants…”
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