Trace Elements
“…That’s where and when Ruth Hellier-Tinoco first saw a performance by the experimental theater company La Máquina de Teatro. She still remembers the work, part one of the group’s “Trilogía Mexicana,” in great detail: from the staging, set design and lighting to the actors’ movement and speech.
“The piece combined so many threads, traces and layers of history, crossing and combining stories from the 15th century through to the present day, and explored questions of power, ecology, belonging, identity and memory,” Hellier-Tinoco, a scholar of performance and theater, recalls now. “It was emotionally powerful, deeply moving and humorous, and highly subversive and complicated. I was totally captivated…”
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