Every Day is Magic: Ada Limón

In her 2015 collection, Bright Dead Things, a National Book Award finalist for poetry, Ada Limón writes of moving to Kentucky: “Confession: I did not want to live here.” It’s perhaps not a surprising sentiment coming from a coastally oriented person who was raised in Northern California, attended college in Seattle, and then spent over a decade in New York City.

 

But Limón and her husband, Lucas, have been in Lexington for seven years now and the effects of settling into this place are noticeable in her new book, The Carrying (Milkweed, Aug.). It’s a phenomenally lively and attentive collection replete with the trappings of living a little closer to nature. While Bright Dead Things is marked by a preponderance of light, such as images of fireflies and neon signs, The Carrying features numerous appearances by various trees, birds, and beetles. Limón also demonstrates a greater willingness to be explicit in naming colors, particularly green. “It’s crazy green, the whole book,” she says. “Lexington is the greenest place I’ve ever lived.” Similarly, where in Bright Dead Things, Limón tells a lot of stories and anecdotes, in The Carrying she is very present in her thoughts and experiences.

As it turns out, these shifts in focus have another, altogether unexpected source. While putting Bright Dead Things together, Limón was diagnosed with chronic vestibular neuronitis, which can cause bouts of vertigo. “If I’m really having vertigo, it’s pretty intense and I really have to focus,”
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Linda Ronstadt: ‘We Should All Do Our Own Dancing, Playing and Singing’

“With more than 100 million albums sold and 12 Grammy awards under her belt, over five decades, Linda Ronstadt is undoubtedly a music icon. While the effects of Parkinson’s disease forced her into premature retirement after her final performance in November 2009, the world’s love for her has not waned. In ways big and small, Ronstadt’s fans continue to share their admiration and introduce her music to new generations: from the release of two recent documentaries, “Linda Ronstadt: The Sound of My Voice,” honoring the singer’s legacy, and “Linda and the Mockingbirds,” which features a road trip to her grandfather’s birthplace, Sonora, Mexico with the band Los Cenzontles; to an indie-rock star wearing a shirt that reads, “Linda Ronstadt Is Queen of LA,” in a social post; and this month’s PBS SoCal and KCET broadcast of “A Tribute to Linda Ronstadt at The Soraya” on “Southland Sessions” featuring notable Mexican and Mexican American musicians. Clearly, Ronstadt is as influential as ever. But ever the humble queen, Ronstadt doesn’t hoard her gifts. “I don’t consider any songs ‘my songs’ — once they’re out there, they belong to everybody,” she says by phone from her home in San Francisco.,,”

https://www.kcet.org/shows/southland-sessions/linda-ronstadt-we-should-all-do-our-own-dancing-playing-and-singing

 


  

Poem
“…And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while…”

T.S. Eliot
The Love Song of J. Alfred Prufrock

Mexican American Proarchive Annual Report for 2022

The American Community Survey is an annual survey administered by the federal government to help local officials and community leaders and businesses understand the changes that take place in their communities. It includes percentages of our population’s graduate school attainment and the employment of Mexican Americans in various occupations.  These important factors influence the allocation of federal resources. Mexican American Proarchives uses the data provided by the American Community Survey to better understand how Mexican Americans compare to the general population.

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