Every Day is Magic: Ada Limón

In her 2015 collection, Bright Dead Things, a National Book Award finalist for poetry, Ada Limón writes of moving to Kentucky: “Confession: I did not want to live here.” It’s perhaps not a surprising sentiment coming from a coastally oriented person who was raised in Northern California, attended college in Seattle, and then spent over a decade in New York City.

 

But Limón and her husband, Lucas, have been in Lexington for seven years now and the effects of settling into this place are noticeable in her new book, The Carrying (Milkweed, Aug.). It’s a phenomenally lively and attentive collection replete with the trappings of living a little closer to nature. While Bright Dead Things is marked by a preponderance of light, such as images of fireflies and neon signs, The Carrying features numerous appearances by various trees, birds, and beetles. Limón also demonstrates a greater willingness to be explicit in naming colors, particularly green. “It’s crazy green, the whole book,” she says. “Lexington is the greenest place I’ve ever lived.” Similarly, where in Bright Dead Things, Limón tells a lot of stories and anecdotes, in The Carrying she is very present in her thoughts and experiences.

As it turns out, these shifts in focus have another, altogether unexpected source. While putting Bright Dead Things together, Limón was diagnosed with chronic vestibular neuronitis, which can cause bouts of vertigo. “If I’m really having vertigo, it’s pretty intense and I really have to focus,”
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‘Biological reality’: What genetics has taught us about race

“As US President Donald Trump takes aim at the Smithsonian Institution for “anti-American ideology”, Adam Rutherford examines what the science of genetics has taught us about race.

When scientists unveiled the first draft of the Human Genome Project 25 years ago, it seemed to deliver the final word on some antiquated myths about race. It provided definitive evidence that racial groupings have no biological basis. In fact, there is more genetic variation within racial groups than between them. Race, it showed, is a social construct.

But despite that fundamental finding, which has only been reinforced as work on human genomes has continued, race and ethnicity are still often deployed to categorise human populations as distinct biological groups. These are views that can be found circulating in the pseudoscience on social media, but they also still creep into scientific research and  healthcare systems.

Comment & Analysis

Adam Rutherford is a lecturer in genetics at Univeristy College London in the UK, BBC Presenter and author of How to Argue with a Racist, which examines the history and science of notions of race. You can read more from him about how to debunk racist myths with science and facts here.

It is even more troubling when this thinking finds its way into the halls of government.

President Donald Trump and his administration have made no secret of his rejection of many aspects of the scientific worldview. Since returning to the White House, he has made sweeping cuts to science funding for biomedical and climate research, but in a recent Executive Order, Trump took aim at what most scientists now regard as biological reality.

Entitled “Restoring Truth and Sanity to American History“, the Presidential order, signed by Trump, targeted an exhibition in the Smithsonian American Art Museum called “The Shape of Power: Stories of Race and American Sculpture”.

The order is part of a broader attempt to shape American culture by eliminating “improper, divisive, or anti-American ideology” from the institute’s museums. It states: “Museums in our Nation’s capital should be places where individuals go to learn – not to be subjected to ideological indoctrination or divisive narratives that distort our shared history.”

The exhibition itself is criticised in the text for promoting the idea that “race is not a biological reality but a social construct, stating ‘race is a human invention'”. The order offers the exhibition as an example of a “harmful and oppressive” shift in the narrative portraying American values.

This is the point when people like me, a geneticist who specialises in the history of race science, get a little bit vexed….”


  

Poem
“…And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while…”

T.S. Eliot
The Love Song of J. Alfred Prufrock

Mexican American Proarchive Annual Report for 2022

The American Community Survey is an annual survey administered by the federal government to help local officials and community leaders and businesses understand the changes that take place in their communities. It includes percentages of our population’s graduate school attainment and the employment of Mexican Americans in various occupations.  These important factors influence the allocation of federal resources. Mexican American Proarchives uses the data provided by the American Community Survey to better understand how Mexican Americans compare to the general population.

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